- Teriyaki boyz tokyo drift (fast & furious) scene movie#
- Teriyaki boyz tokyo drift (fast & furious) scene series#
The film ends in a more organised race between Sean and DK but it’s the above scene that cements Tokyo Drift as one of the most kinetic and energised films of the franchise. They become literal blurs of colour as they drift supercars through one of the world’s most densely populated urban centres. DK, Sean and Han slalom between traffic and part crowds like Moses did the Red Sea. The chase through Tokyo’s city centre is one for the ages. It stands to him when DK finds out that Han has been embezzling funds from the Yakuza and chases him and Sean through the busy streets of Tokyo. Sean goes from a bumbling hick to Drift King over the course of the movie, able to negotiate tight turns and sharp bends with ease. No matter how good the other scenes are in Tokyo Drift, they’re just a preamble to the racing. It’s not smart to steal from Japan’s most feared gangsters but when you can drive like Han and Sean it shouldn’t matter. It’s the end of one fraternal relationship as DK grows suspicious of Han’s true intentions and the beginning of a new one. As the film goes on Han and Sean become firm friends and bond over the intricacies of cars and drifting. In fairness considering Sean looks at least 35 and every other cast member is clearly over 18 it doesn’t seem that weird. He’s affiliated with the Yakuza as well as a gang of international speedsters yet he also associates with high schoolers while in Japan. It’s never really made clear how old Han is. The same goes for Tokyo Drift.įurther Reading | The John Wick Effect | Your Descent Into Hell Begins Here
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From John Woo to Takeshi Kitano to Jackie Chan, brotherhood is a major factor in what made their films so successful. Brotherhood is a common trope in the action cinema of the east. It was never simpler than in Tokyo Drift though. The rag-tag group of DVD thieves in The Fast and the Furious, the brotherhoods and rivalries of 2 Fast 2 Furious and Tokyo Drift – the theme would become more complicated as characters grew up and started their own families and as real world actors – RIP Paul Walker – died. It goes through many iterations in the eight main films. Family is important to Dominic Toretto (Vin Diesel) the patriarch of the franchise. None of them are subtle considering that two are in the name and the third is said by every character at least four times in every movie. The Fast and the Furious films have stood by the three Fs for their entire runtime. The two become friends and Han teaches Sean to drift so that Sean can take down Drift King or DK (Brian Tee), a local Yakuza underling, and win DK’s girl Neela (Nathalie Kelley). Sean’s first race is disastrous and after totalling Han Lue’s (Sung Kang) car he ends up working for him. There Sean meets Twinkie (Bow Wow) the high-school fixer who introduces Sean to drifting. Sean gets involved in one high speed chase too many in America and is sent to Tokyo to live with his naval officer father. Still, most of the insane, mind-blowing shit that we now associate with the franchise did start with here even if it did mess up the series’ timeline for three films. The Fast and the Furious films eventually got better with how they treated their female characters but it didn’t start with Tokyo Drift. Admittedly the main character Sean Boswell (Lucas Black) looks 20 years older than the teenager he’s supposed to be. Yet, it’s the least financially successful of the franchise overall and received little critical appraisal. Tokyo Drift was pretty profitable at the box office.
Teriyaki boyz tokyo drift (fast & furious) scene series#
It was a risk that wound up reaping creative dividends for the series even if no one saw it that way at the time. It was a risk but so were the first two films.
Teriyaki boyz tokyo drift (fast & furious) scene movie#
Interest in Japan was only growing and setting the third Fast and Furious movie in a country literally on the other side of the world began the series’ reputation for country hopping. But Hollywood wanted to stake their claim in Asia and they were willing to experiment to do it. Disney had a good working relationship with Studio Ghibli which gained Hayao Miyazaki his first Oscar for Spirited Away. Miramax had lucrative distribution rights to films from all across Asia, specifically action and martial arts movies. Tokyo Drift came along at a time when Hollywood was desperate to cash in on wider Asian markets. Above all else Tokyo Drift is the most pure film in The Fast and the Furious series with a commitment to the adrenaline and nitrous fuelled ethos of the series not seen before or since. It’s a Romeo and Juliet tale that just so happens to feature slick cars. It’s a thrilling feature film about Tokyo’s drifting scene in 2006.
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It’s a 104 minute music video for the Teriyaki Boyz song of the same name (which absolutely fucking slaps by the way). But I’ll go to my grave defending The Fast and the Furious: Tokyo Drift. I’m an easy-going guy when it comes to most things.